Glazing Guidelines
Follow these best practices to get beautiful, consistent, and kiln-safe results — and protect our shelves!
Before You Glaze
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Use clean, dry bisque only.
No dust, grease, or fingerprints. Wipe with a damp (not wet) sponge. -
Keep glaze ½ inch from the bottom.
Wax the foot or clean glaze off completely before firing. -
Stir glazes thoroughly.
Stir at least 30 times the first time, and again before each use.
Applying Glaze
Aim for a “postcard thickness.” Choose one method:
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Dip: 1–8 seconds depending on the glaze
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Double Dip: 2 quick dips (e.g. 2 sec. each)
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Pour: continuous pour for even coverage
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Brush: 2–3 thin coats, alternating directions. Let each coat dry first.
Use a pin tool to check the glaze thickness.
Don’t forget to:
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Sign your piece
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Add glaze stamps
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Place it on the firing shelf
Glaze Notes = Better Pots!
Use your notebook to track:
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Which glaze(s) you used
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The order of layers
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How long you dipped or poured
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Whether the pot was damp
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Coverage (how far up/down)
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A quick sketch if needed
You won’t remember later — write it down now!
Add to the Studio Binder
Help build community knowledge:
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Share great glaze combos
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Report problems (crawling, crazing, thickness, etc.)
Common Glaze Problems
Too Thin
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Dry, rough, dull, or off-color
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Can sometimes be reglazed and refired
Too Thick
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Crawling, cracking, running, bubbles
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May ruin shelves or flake off
Crawling
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Glaze pulls away or beads up
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Caused by dirty bisque, over-thick application, or poor adhesion
Running
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Glaze melts and flows off the piece
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Often due to thick or very fluid glazes
Foot Care = Shelf Care
Waxing the Foot
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Use designated wax brushes (not glaze brushes)
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Apply evenly using a banding wheel
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Let wax dry fully
OR Clean the Foot
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After glazing, wipe glaze off the foot using a large, flat wet sponge
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Remove all glaze at least ½″ up the side
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Repeat as needed — no glaze should remain
Unsure if a glaze might run? Place your pot on a kiln-washed bisque slab to protect the shelf.
Glaze Behavior & Troubleshooting
Crawling Can Be Caused By:
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Glaze too thick
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Pot too wet or too dry
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Dirty or greasy bisque
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Glazing over dry glaze layers
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Certain glazes with high surface tension (e.g. Bright White)
Running Can Be Caused By:
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Thick glaze layers
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Fluid glaze combos
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Glaze applied too low on the piece
Glazes That Tend to Run
Use with care — especially near the base:
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Honey
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Sin-Sin
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V. Edwards Semi-Transparent
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Spearmint + Paul’s White (combo)
Recommended Glaze Combos
Try these on your next piece — and check the test tiles!
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Turquoise + Slate Blue – rich, varied blues
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Turquoise or Autumn over Oil Spot – dramatic contrast
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Bone or Paul’s White over Autumn – great for texture
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Autumn over Toby’s – warm, earthy finish
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Oribe on white clay – highlights fine detail (may craze)
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Clear over underglaze – crisp, clean, especially on white clay
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Honey or Sin-Sin over anything – drippy, flowing effects
Add your own favorite combos to the Glaze Notes Binder!
Creative Tips
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Leave some bare clay for contrast
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Use wax resist for design, not just clean feet
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Layer glazes using tape or wax to block areas
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Let each coat dry before layering another glaze